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“Magic Hour” is a one hour film forming part of the body of work “589.3”, concerned with exploring the nightly transformation of our built environment by the monochromatic glow of the ubiquitous sodium vapour street lamp. The project is named for the frequency of the this pure yellow light, the numerical precision of which signifies the political and industrial mechanisms which plan, manufacture, place and sustain them.

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“Magic Hour” is a single-take, fixed vantage point work which draws on the work of experimental film makers such as James Benning and Larry Gottheim. “Magic Hour” explores the temporal dimension of the project’s concerns, observing the punctuation of the gradual transition from day to night by the sudden ignition of a street lamp midway through the piece. “Magic Hour” is named for the time of day loved by photographers for the quality of light, which ebbs away as the film progresses, and to recognise our ancient forebear’s wonder/dread with which they considered the rising and setting sun. In “Magic Hour”, as the sun sets, the fearful world of the dark emerges but is confounded by the sudden miraculous rising of an artificial sun.

Download sudden strike 2. As a time-based work that studies temporality, “Magic Hour’s” almost imperceptible progression from day to night amplifies our perceptions by using boredom to heighten our sense of anticipation. Small events that would usually pass us by – a bird flying overhead, a darting moth, the sound of a passing car – are elevated in significance and can wholly occupy our attention in a way they could not during the day-to-day. For more information please go to Copyright 2015 All Rights Reserved Richard Burniston.