Suspense: The Radio Show ~ Introduction To Old-Time Radio ~ Suspense, 'radio's outstanding theater of thrills', was one of the premier shows of the golden age of radio. Not only was it was one of the most enduring programs of the era, airing from June 1942 to September 1962, it was also a favourite of the Hollywood elite. While some stars made only one appearance, there were many artists whose appearances numbered into double digits. These included such performers as Charles Laughton, Richard Widmark, Joseph Cotten, Frank Lovejoy, Herbert Marshall, and Vincent Price. Lest you think of Suspense as a boy's club, the star with the most appearances (thirty-three) is Agnes Moorehead, who starred in one of their most famous productions, 'Sorry, Wrong Number'.

The producers of Suspense knew the value of the writer's craft in radio drama, and assembled a stable of in-house regulars that included such respected names as John Dickson Carr and Lucille Fletcher. Stories featured on the program would alternate between original works by their own writers and tales from such diverse authors as Dashiell Hammett, Agatha Christie, James M. Cain, Edgar Allan Poe, Cornell Woolrich, Dorothy B. Hughes, Ray Bradbury, and Raymond Chandler.

One method that Suspense used to set itself apart was the practice of doing the simple things in an unorthodox manner. This is prevalent in their casting decisions, which included having some of radio's favourite comedians playing decidedly non-comedic roles. These funny folks include Red Skelton, Danny Kaye, Jack Benny, Jack's comic foil Phil Harris, Dennis Day, Fibber McGee and Molly, Bob Hope, Phil Silvers, and even radio's most easy-going couple, Ozzie and Harriet Nelson. This was certainly an effective technique; listening to Ozzie & Harriet coolly plotting a murder adds a whole new dimension to one's image of both them and the story.

Musical stars were also allowed to explore their darker side through an appearance on Suspense; these stars include Lena Horne, Judy Garland, Betty Grable, Dinah Shore, Ethel Merman, and Gene Kelly. Singer/dancer Kelly may have been the first example of Suspense casting against type, with his role as black marketeer Art Kramer in the 1943 episode 'Thieves Fall Out'.

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Occasionally the producers would take the program in the opposite direction, allowing a Hollywood heavy to take on a light-hearted role. It's a delight to hear the fun that Edward G.

Robinson has in playing the dual roles of both his tough gangster persona and the obsequious clerk who idolizes him, in The Man Who Thought He Was Edward G. Of course, the producers were savvy enough to know when to let the star do what they did best: Barbara Stanwyck's trademark glamorous-but-hard-hearted spitfire would never be portrayed with more intensity than her performance in The Wages Of Sin.

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