The Kurzweil K2500 is know as 'the Pink Floyd Synth' for has been used by wri. More The Kurzweil K2500 is know as 'the Pink Floyd Synth' for has been used by wright since it cames out. K-Sounds Sound Libraries Quality piano sample libraries and tonewheel organ sound sets for Korg, Yamaha, Kurzweil and Kontakt Formats.

The acoustic piano has always been an element of the Floyd's sound and -unlike other groups of the timeWright insisted on carrying acoustic pianos (although not always grand) on tour throughout the ‘70s, as opposed to replacing the piano parts with an electric piano; the way Genesis’ Tony Banks did on stage. It is difficult to say which make of piano is featured on each album. It has been suggested that there are many different makes used by Wright through the years, however there seem to be a couple of favourite brands: Steinway & Sons and Yamaha. Piano parts on Dark Side of the Moon were recorded with a classical Steinway & Sons Baby Grand Piano, which can be seen in the Abbey Road studios during the ‘documentary’ sections of Live At Pompeii.

The Pompeii live recordings also featured a Steinway Grand (“A Saucerful Of Secrets”). Wright has also been a fan of Yamaha pianos and has used the Yamaha C-7 Acoustic Grand Piano for some of the early albums and then for Animals and The Wall. FARFISA organ (1965-1972) – The ‘Farfisa’ is a two-manual organ console. In comparison to the more popular Hammond organ (see below), the Farfisa produces a more ‘classic’ organ sound. Wright included a Binson Echorec device for echo as part of his combo and managed to produce many unusual sounds out of it, by experimenting with the Echorec and the organ’s tone and pan settings. The Farfisa was Wright's main keyboard in the early years, when he was playing with Waters, Mason, Barrett, Klose et al. As Sigma 6, The (Screaming, Architectural, etc.) Abdabs, T-Set, the Pink Floyd Sound, etc.

Dialog sunda 5 orang. Ibu mau menanyakan sesuatu.” [Anggiya dan Joni menghampiri Bu Guru] Joni: “Ada apa, Bu?” Bu Guru: “Itu, bagaimana perilaku Idwan di kelas?

And was used almost exclusively up until The Piper At The Gates Of Dawn in 1967. Between 1967-72, the Farfisa organ played a crucial role in Floyd’s sound and was used for many of Rick’s leads, which he often panned around the auditorium using a special joystick (an ‘azimuth co-ordinator’ pot) stacked on top of the Echorec unit.

Wright used the Farfisa for virtually every solo up until that point, e.g. “The Embryo”, “Fat Old Sun”, “Cymbaline”. He can be seen playing one in Live at Pompeii (1972) and in the studio it was last used for Dark Side (1973). On stage, Floyd kept touring with a Farfisa as part of their equipment while they were still performing live their pre-Dark Side set (e.g. “Careful with that axe, Eugene”, “Echoes” and “Set the Controls for the Heart of the Sun”).

This organ’s sound has been strongly associated with certain tracks. In the last ever live performance of “Careful with that axe, Eugene” (in 5 May 1977) the absence of the Farfisa sound was clearly heard. Wright employed his Hammond (see below) and his array of MiniMoog synthesizers (see SYNTHESIZERS section) to play that rendition and the synth sound was somewhat alien to the piece. The organ in the intro of “Time” is the last time the Farfisa was featured in a Floyd recording. In the early days of the band, Wright dabbled with brass before settling on Farfisa electric organs as his main instrument onstage. He originally owned a single-manual Combo Compact model, which was used for early recordings of 'Interstellar Overdrive',[67] and later upgraded to a dual-manual Compact Duo.